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I was worried about the usual things: forgetting to breathe, running out of steam, my throat going dry so I'd be longing for a sip of water halfway through. That I'd brain-freeze through sankyo and mix it up with yonkyo. I coached myself that nikyo from kata dori is the same as ikkyo except for the pin, but that nikyo from shomenuchi requires the hand change early on.
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Keep the "Freddy Krueger fingers" pointing northward when executing an ikkyo lock.
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Keep my nikyo-ura tight and torqued, as if "the opponent's palm is a mirror you're trying to keep turned towards you."
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Keep my sankyo glued to my sternum, rise and twist.
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And yonkyo! I have so much trouble with that one with my small hands grasping my various training partners' huge forearms that I just had to somehow pull it off and make it look halfway decent.
Funny thing after the test, because everything I worried about weren't the techniques Sensei ended up critiquing. Instead, I was told that my irimi hand needed to come over higher, reach to the ceiling, like a wave breaking over rocks. And that my lower hand during tenchi nage needed to reach to the ground, especially important for a shorty like me taking down often-taller training partners. That for my yokomen response in kihon waza, I needed to get in there and stop the attack early on.
There is a moment I remember vividly from my test, a kernel of meaning in chaos, a burst of sunshine amidst the fog of nervousness and uncertainty. When I was executing a kotegaeshi, one of the last techniques on my test, I felt a sudden shift from the normal sitfall-to-roll-over response from my test partner. A quick grab on my gi sleeve to prep, and suddenly he sailed through the air in a highfall, his body heavy beside me one moment, weightless and airborne the next. The first time I launched someone in a highfall, I was so surprised I almost let go--not very safe for the person taking ukemi. This time, it felt right and natural. Never during our practicing together for the past almost-three months did my test partner execute a highfall, and yet, without any former planning or communication between us, this spontaneity, this display of trust for my ability to take him down well, this self-confidence in drawing from my ki during a technique, warmed my heart and made me smile.
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There are many things I need to learn how to do better, techniques I still have to work on. But for just a small moment in time, it wasn't a test I was taking, but the creation of a memory that exemplifies euphoria and zen. Because despite the long journey ahead, in that moment I was able to find the "ai" in aikido.
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